I am a sound recordist currently producing audio-montages and compositions that explore the intersection of architecture, psychoacoustics, social-dynamics and place. My works are constructed primarily from un-mixed and un-edited environmental sound recordings, which I capture using a mixture of straight, extended and oblique recording techniques – probing the various unheard material realities, angles and perspectives of a given sound event, as well as providing a tactile space that has surface, texture and reflection, whereby the listener is sensitised to hearing as if it were touch.